Keyon Harrold: Bridging Jazz Traditions and Modern Sounds, Music at the Intersection Festival

By Kim SoMajor

The Roots of St. Louis and Music at the Intersection Festival

St. Louis, a city renowned for its rich musical heritage, once again hosted the annual Music at the Intersection festival. This year’s event was a vibrant celebration of diverse sounds, from the soulful melodies of Esperanza Spalding and Lady Wray to the energetic performance of Big Boi, and STL’s own CHINGY, culminating in a breathtaking performance by Chaka Khan on Sunday night. The festival’s lineup showcased a mix of established artists and rising stars, including the acclaimed Black Pumas and the innovative Keyon Harrold, all united by their deep connection to the city’s musical legacy. As a testament to the festival’s growth and impact, it drew thousands of attendees eager to experience the unique blend of music, culture, and community that St. Louis offers.

Festival Growth, Creativity, and Legacy

For jazz musician Keyon Harrold, returning to his hometown of St. Louis for Music at the Intersection Festival is more than a homecoming—it’s a celebration of the city’s musical legacy and the festival’s growth. “This is the roots right here,” Harrold says, reflecting on his journey and the reception he’s received throughout the years. As the festival enters its fourth year, Harrold notes its evolution and rising prominence.

“Each year, the festival has gotten bigger, more special, and more inclusive,” Harrold says. He credits the festival’s increasing diversity and high-level performances for its growing reputation, adding that many artists he’s invited have been amazed by the festival’s atmosphere. “When they come, they realize how amazing it is, and they ask, ‘Why haven’t I ever been here?’”

The Role of St. Louis in Music History

Harrold highlights St. Louis’ rich musical history and its impact on both jazz and popular music. “What are we talking about? Miles Davis, Fontella Bass, Donny Hathaway, Josephine Baker,” he says, listing the icons that have come from the city. According to Harrold, MATI aims to showcase these roots while expanding beyond them. “It started off with a connection to St. Louis music, but now it’s branched out.”

Curating the Festival Lineup

Harrold plays an active role in shaping the festival’s lineup, working alongside director Chris Hansen to select a mix of genres and eras. “Last year, I suggested we get Herbie Hancock, and they did. Seeing him play live was incredible,” Harrold recalls. His involvement as a creative advisor ensures that the festival remains a dynamic blend of musical styles, rooted in jazz but open to contemporary influences.

Technology, AI, and the Soul of Music

As someone deeply rooted in jazz traditions, Harrold acknowledges the role technology, including AI, plays in modern music production. He sees AI as a tool that, if used correctly, can enhance creativity. “Technology can be a plus, but it can also kill stuff,” Harrold explains. “It really comes down to how much soul you are able to impart into what you’re creating.”

He stresses the importance of individuality and authenticity in art, noting that while AI and social media platforms like TikTok can help some artists find success, true creativity comes from mastering one’s craft. “Some people are really good with technology, and others are more connected with their instruments. It’s about the discipline and how deeply you understand your craft.”

Collaborations and New Projects

In addition to his advisory role at the festival, Harrold remains busy with a wide range of collaborations. He’s worked with an impressive roster of artists, including Goapele, Terrace Martin, Gary Clark Jr., and Robert Glasper. Harrold is particularly excited about his latest project, Foreverland, which features a stellar lineup of collaborators such as PJ Morton, Common, and Chris Dave. He’s also been involved in genre-blurring projects that merge jazz with hip-hop, including a recent record with Glasper.

Harrold shares a deep respect for actor, artist and poet Omari Hardwick, with whom he brought out as a special guest and has collaborated extensively. “Omari and I have done over 60 songs together,” he notes, highlighting their long-standing partnership in both music and creativity. Harrold appreciates Hardwick’s artistry and dedication, saying, “We inspire each other. He’s an incredible talent and a genuine person.”

Reflecting on his body of work, Harrold emphasizes the importance of creating music that resonates with people on a personal level. “I want people to say that Keyon Harrold’s art was high art, but accessible to everyone. I want them to feel what I’m putting down and know that I’m leading with love.”

A Lasting Legacy

As for his legacy, Harrold wants to be remembered as an artist who blended skill with soul, creating music that transcends genres and time. “I want people to feel that love,” he says, whether they encounter his music in a jazz club or in a coffee shop. With projects lined up and a festival to guide, Harrold shows no signs of slowing down. His goal is simple: to keep creating, collaborating, and inspiring.

It’s clear that Harrold’s journey is far from over—both as an artist and as an ambassador for the rich musical heritage of St. Louis.

Keyon Harrold: Tiny Desk Concert

Check out photos from Keyon Harrold’s electrifying live performance, featuring special guests Goapele, Terrace Martín, Omari Hardwick and rising St. Louis singer Malaya, and the exclusive after-party jam session he hosted that same night.