From Lupe Fiasco, to Chance the Rapper, to G Herbo, within the last decade, Chicago has produced a costless variety of recording artists that have gone on to evolve into the biggest names in Hip-Hop. Ready to take his place as next in line is the well-accredited new artist DJ Da Don.
Born Djoudrjy Chiffra, originally from Miami, he was introduced to the music business as an understudy of chart-topping producer Young Chop (Meek Mill/Kanye West). After time well-served learning the ins and outs of the industry and boards, Da Don authenticated himself with collaborations by Young Jeezy, Gucci Mane, Rick Ross and many more. Now ready to branch out on his own and accumulate his own plaques, the new artist prepares a 2020 takeover.
Before his campaign to greatness, we talk to the Haitian artist about the importance of his heritage in his music, building a strong resume and what he has planned for his rise to the top. Learn everything about DJ Da Don, read the complete interview below.
Tell us about the first beat you ever sold to a mainstream artist?
The first track I officially produced was a collaboration with Young Chop for Fredo Santana. It was called “My Lil Niggaz,” on It’s a Scary Sight mixtape. R.I.P. Fredo Santana!
From Haitian descent, what is a cultured sound you incorporate into your production?
Whenever I can, I try to incorporate the guitar into my production.
How are you spending your quarantine creatively?
I’ve been taking advantage of the time by spending endless hours in the studio perfecting my craft. I’m still working out, and of course, putting in that quality time with my kids. It’s more important now than ever to continue instilling those core values in them.
Tell us about the importance of securing a meaningful relationship in the music business?
Relationships are everything! Just having a good rapport establishes the energy needed to produce the sound an artist is looking for. A lot of times, when people sense that good energy and know you’re solid, you’re one of the first people they reach out to.
A one-time understudy yourself, when do you know you are ready to breakout on your own?
I knew I was ready to break out on my own when I started producing tracks for artists outside of Chicago. I was beginning to build my own fanbase.
Does Chicago suffer from a Crabs-in-the-Bucket mentality when it comes to music?
When it comes to the music, definitely not! Even though I’m not from the Chicago, they’ve showed me nothing but love by giving me game and showing me the ins and outs of the industry. Even when you think about artists like Lil Durk, G Herbo, and Polo G. They are all from different hoods, but are still working together to rep their city. The same for Chance, who collaborated with numerous Chicago artists. Using his platform to do so many positive things shows that Chance and other Chicago artists are defying the crabs in the bucket mentality.
Being of an esteem Haitian heritage, do you believe you have an obligation to preserve the legacy in music following in the footsteps of Haitians before you like Wyclef Jean?
I definitely feel like I have an obligation to preserve the Haitian legacy. It’s not too many of us in the industry and every chance I get, I plan to rep my Haitian flag.
An artist you’ve enjoyed working with the most?
Moneybagg is one of my favorite artists to work with. Every time we link, it’s positive vibes. He knows exactly the sound he’s looking for. Therefore, we’re able to narrow things down pretty quickly and get straight to work.
The best creative advice an artist has provided you?
Some of the best advice I received was to always keep an open-mind. Don’t be afraid to do something new. Those words of wisdom allowed me to think outside of the box by motivating me to constantly look for new sounds.
In your own words, define the Chicago sound?
Although you have different sounds coming out of Chicago, it’s known right now for drill music. It’s that genre of music that is inspired by the streets.
Who are some Chicago artists we should be on the lookout for that you are working with?
Right now, I’m working with Sincere. He’s a real talented and diverse artist. You should be hearing some Sincere tracks produced by DJ Da Don real soon.
What is something you learned about the music business through trial and error?
One of my biggest lessons was pertaining to money to be honest. Through trial and error, I had to learn that the music industry has its ups and downs. Therefore, I had to stay on the grind and always think ahead. I had to adapt the mindset that as long as I worked hard, the money would come.
As a mentor to you, give us your thoughts on Young Chop’s current status in Hip Hop?
To be honest, I don’t really form opinions about the next man’s business. I’m always trying to keep my eyes on the prize. Chop showed me nothing but love, so I will always respect him for that. What he does is his business.
You’ve collaborated with the likes of Chief Keef, Yella Beezy, Da Baby Lil Reese and so many more. Who have you learned from the most professionally and why?
I will have to say that I probably learned the most from Chief Keef. We collaborated more, so I was able to see his crazy work ethic. It didn’t matter that he was young at the time. Collaborating with Sosa taught me to always stay ahead of the curve.
For the remainder of 2020, what does DJ Da Don have in the works?
Right now, I’m working with Blac Youngsta, Plies, and Freddie Gibbs. Of course, I’m still working with local artists as well.
For everything DJ Da Don on the Track, follow him today on Instagram.
